Overwegingen om te weten over gemstone jewellery uk
Overwegingen om te weten over gemstone jewellery uk
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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
Rather than being a single trade route, the exhibition suggests the Silk Roads comprised overlapping networks spreading from Japan to Britain, and Scandinavia to Madagascar. “It’s not just silk, it’s not just one road,” says Brunning. “It’s people, objects and ideas moving in all directions.” The garnets would have travelled to England “in stages by relay”.
exhibition showing the movement of materials across geographic regions includes a string of blue beads (500s) excavated in Japan that comprises glass from both Iran and elsewhere in Asia.
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“One of the possible interpretations of that kan zijn that they specifically selected this particular type ofwel garnet to make that one piece ofwel jewellery because it was much higher quality than anything else,” says Sue Brunning, the museum’s curator of European Early Medieval and Sutton Hoo collections.
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Hu considers music and colour “like a duet”. “When I look at a colour, I think ofwel a certain tonality,” she says. “A C major is a golden light of yellow or white, and then D flat major kan zijn this really pastel lavender.”
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Roberto Boghossian says this “eclectic but meaningful collection” represents his family’s travels.
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Hu, herself a trained cellist, has continued to draw on the music and dance of the Silk Road. Her Dance of Dunhuang brooch, unveiled at TEFAF Maastricht in March, was inspired by the silhouette of flying apsaras: figures depicted in cave murals in the Chinese city.
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